His hands are well muscled, his fingers nimble and exquisitely sensitive to the clay in motion.
As I watch, I can feel my own fingers following the nuances of his touch, as if they, too, can sense the impulse that feeds that touch. The music settles into me, its rhythm opening me deeper into the experience of watching this man do what he does with such precision, and seemingly such love.
I wonder how many turns of the wheel his hands have guided. I see how they ripple with the clay. I feel his muscle memory in mine, and I remember moments when my hands touched with such love.
It wasn’t clay, it was flesh – a close kissing cousin to clay.
My hands touched and guided flesh in this same way. Flesh that loved to be touched, and flesh that I loved touching.
Maybe that’s why he is so digitally articulate. Maybe his fingers dance along the ridge between clay and air, because he’s touched flesh, too, just as my fingers have danced along the edge between invitation and invasion.
He knows this clay, intimately. You can see this. I wonder how well he knows flesh. I wonder if a potter’s hands become so intuitive in their touch that they know flesh and bone and blood as elements to be turned and guided and nudged, just as lovingly, just as exquisitely.
Touch is prayer in motion, and as I watch the graceful mark his muse makes upon this world, causing the rim and curve and edge to emerge, I know grace moves through hands in extraordinary ways. Images of past clients flash in front of my inner eyes, those who knew beyond any doubt that life wanted to create through their hands. They knew this as well as they knew their own names. Their hands spoke to them, much as I sense his hands speak to the clay, telling them it was time for them to make their mark in this world.
My hands are speaking in much the same way. They want more than to just tap. They want to touch the flesh of life. They want to make things – real, physical, beautiful things.
Hands want to make. They want to mold and shape and knead. They want to know how it feels as the muse anoints them as vessels, carries them over to bliss, making love to them in service to creation.
I’ve sometimes been struck by the sight of my own hands, held out in front before my own eyes, suddenly and seemingly to be hands that could belong to anyone but me. Those moments when I was nobody, and no body, in particular, but simply life peering out of my eyes, I watched my own hands touch, fingers dancing along the ridges of whatever it was they were conversing with. In those moments, I’ve witnessed the inherent wisdom in the cells of hands and palms and fingertips. I’ve seen and felt and known how hands offer the direct expression of Soul into this material world. And, heart lines move out to and through hands and fingertips, offering love in a way the heart cannot.
Each piece meticulously loved. Each expression uniquely molded. Each creation mindfully shaped by something we can’t see nor hear nor touch, but something we feel echo through our cells.
After watching hands create, is there any doubt at all in the way love persistently and powerfully demands to be expressed?
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The muse moved through these hands to tap, tap, tap, after watching the extraordinary video (below) of exquisite artistry. I couldn’t stop the flow of words and images that came in response to being moved so deeply by the beauty in this video.
In writing this piece, I am playing with a new kind of writing experience and process, one I will share with you soon as a creative writing course offering. I will be sharing it in my newsletter…
Please enjoy this incredibly beautiful video… And, please share with me in the comments how it moves you.
I like what I am hearing!
Jane Knox