The Radiance of Life Unfolding

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the radiance of life unfolding

…the body is suffused with wild and vital divinity.
…the sensuous is sacred in the deepest sense.
~ John O’Donohue, Anam Cara

~~~

I go to the side doors of the large room where we are to dance. These double doors are open to the park just across the way letting in the late-summer evening breeze. I lie down on the floor, face up, and gaze up and out the doors. All I see are the branches of the tall pine that stands across the way, branches that fall across the way between the tree and me.

The first music of the night is soft and slow, and I feel my body soften into the floor. I’ve been dancing long enough now that when the music begins my body begins to dance, even if that dance is simply breath meeting beat.

There is so much here in this moment that I love – truly love. Warm soft wind, music with melody and soul, trees, and others surrounding me who’ve come here to move, too.

As the stresses of the day fall away, I begin to feel my flesh and bones against the floor in places where my body meets wood well-worn from years of feet moving across it and bodies sweating over it.

Here in these moments between the heat of the late-summer day and the cool of evening, between the word-soaked moments of my busy life and the ripe silence of moving to music without conversation, I remember, then feel, the words John O’Donohue wrote before his body passed back into the earth:

Your body is in the soul, and the soul suffuses you completely.
Therefore, all around you there is a secret and beautiful soul-light.

Lying here, I feel this beautiful soul-light. Around me. Around the tree. Around the room. Around the others coming and dropping into silence.

As the music shifts and the tempo picks up, my body rises to meet it and I begin to dance.

~~~

I always love the first moments of the evening dance as I move into flow, relaxing into it like easing into a stream. Toes dip in, then legs, and then I slide the rest of my body down into the cool dark waters of the dance. Each time I dance, these waters cleanse me, washing through the layers of soul that suffuse this body. These waters cleanse me of everything I’ve brought in with me, and over the last few weeks each time I come I’ve brought memories and images of generations past.

My sister and I’ve been going through pictures my mother left behind after her passing, and we’ve come across images of great-great-greats. Moving my fingers across these portraits of faces from five generations prior, I touch more than paper and tin-type. I touch people who gave birth to those who would give birth to me. I touch joy and heartache. I touch youth and old age. I touch promise and defeat. I touch my own DNA.

As I dance, it comes to my mind that they are all gone now. Yet I, their offspring, still dance. My body moves with the wild and vital divinity of one who is alive, fully alive, with breath and beat, sweat and heart. I feel the radiance of life unfolding from deep within me, deep in the hidden places of the heart, deep in the dark of my belly.

I notice the soul-light because the music hits soul first, before it enters my ears. The soul suffuses my body, but the music suffuses my soul.

To be touched in this way by rhythm, to have it touch my soul even before it touches my cells, is to be touched by the sacred. Literally touched. Rhythm and beat to soul, and soul to skin. And when, in the heat of the dance, my skin brushes up against the skin of another, our souls have already met prior to skin meeting skin.

Perhaps this is why it is so hard-to-describe the experience of dance when flesh meets flesh. Perhaps this is why life is so sensuous. It isn’t flesh meeting flesh first. It is soul meeting soul.

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Incredibly and Intimately Near

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“I think the beauty of being human is that we are incredibly and intimately near each other, we know about each other, but yet we do not know, or never can know, what it is like inside another person.

It’s amazing. Here am I sitting in front of you. I am looking at your face, and you’re looking at mine, yet neither of us have ever seen our own faces.”     ~ John O’Donohue speaking to Krista Tippett

***

After a wild chaos, the music finds its way to stillness. As the music slows and softens, the blood pumping, sweat dripping that was chaos still vibrates throughout the room.

Stillness brings me face to face with the intensity of my own aliveness. In stillness, while the body might barely move on the outside, inside planets orbit in wide arcs, the ground shakes, and oceans break against shores. In stillness after chaos, there is no doubt I am alive.

And, I am aware of just how alive I am when my skin touches his skin and electricity sparks. We are dancing near each other; yet, it is when our arms barely brush against each other in response to the music that a new channel opens between us, between his soul and mine.

As our forearms slide alongside one another, something within me communicates with something within him, and it happens through our skin. Fluidly, where arms were merely meeting, hands come together and clasp. We are not looking at each other, but we can ‘see’ each other. It’s a seeing that doesn’t rely on eyes. And I am a witness to ‘this dance that is the two of us’. And, he is a witness to the same dance.

I can sense where I end and where ‘this dance that is the two of us’ begins. My fingers begin to travel this new terrain.

Sparks fly.

Cells buzz.

A more shy part of me emerges with fur standing on end and hunger whetted. My heart hungers to touch because it is through touch that my heart can navigate this wise flesh and what lies within it.

And so, I make my way out of my own dark forest and meet him under the moonlit sky.

I am amazed to feel my heart beat against his skin. We are not that close; yet, we are incredibly and intimately near each other. My heart beat travels down my arm, through my fingers, and pulses against his skin. My heart wants to know him but I can never really know him. I can only navigate the land where we come together, where we both feel ‘this dance that is the two of us’.

As this last song of stillness meanders from beginning to end, our bodies move together – arms around waists, cheeks touching cheeks, front to back and back to front – and tears begin to form below the surface of my eyes. They never fall down my cheeks. Instead they flow from ‘this dance that is the two of us’ back up and into my heart.

I can feel ‘we’ in me.

Something in me has had the incredible chance to know something in him. In the depth of a dance. For the length of a song.

And then, the music stops and ‘this dance that is the two of us’ ends. But, I am now different, changed. I know more of myself because I opened and touched and listened. I know more of myself because I navigated the terrain of us. In a few short minutes, I’ve remembered unseen realms and listened to ancient stories.

And, while I can never know what it is like inside of him, maybe, just maybe, out of the shadows of soul I’ve seen a glimpse of my own face.

 

 

 

 

 

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And Then She Moves

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“Let me open like a flower”, she says.

“Just breathe, and I will open.”

“Let me stretch and yawn. Allow me to soften, soften, soften.”

I feel her words in my flesh, echoing in the chambers of my heart.

In response to her voice, I try to soften. I discover that trying to soften actually isn’t softening. The trying causes even the slightest tensing up of muscles. I can feel this. I can feel that I do not ‘know’ how to soften. And with this, I relax and breath. I breathe into the place that feels hard, the place that is tight and constricting. My breath knows how to soften flesh, and even how to soften my mind.

I do not have to ‘know’ how; my body naturally wants to soften. When it isn’t believing the tight thoughts I tell it, its natural state is soft. Mary Oliver knew this well. The animal of my being is soft. She has a soft animal body – except when she believes my thoughts – old, outdated thoughts that are really about the past or the future.

My soft animal body lives here, now, in the soil of life. She doesn’t like it much when she gets yanked around across time that doesn’t exist except in a mind that’s forgotten its part of an animal (a naturally soft animal at that) and part of life.

When it feels separate from flesh, my mind tries really hard. A really deep rut was created in my mind when I was young. The rut was thinking I had to try hard to be understood, to find the right way to do something, to make sure it was ‘the right way’ to do it. And, then, to put a bunch of effort into it. Lots of effort. Tight stomach effort. Clenched jaw and neck effort. Determined thinking effort.

When I feel separate from my flesh, flesh that hasn’t forgotten she’s a part of this earthly life, I harden with a sense of not belonging, a sense of having to protect myself from something unknown yet seemingly real.

But the soft animal? That’s not her way. She likes to lounge and from her soft body do what is in front of her. She likes to take in the world around her, to breath in the beauty of flowers and taste their fragrance. She loves to feel and then out of feeling do what she needs to do.

She likes to lick her paws, slowly, rhythmically, with great satisfaction. And then she moves.

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Pleasure: Soul Sustenance

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IrisLavender

 

 

Every Sunday morning, I dance. Last Sunday was no exception.

As I danced and felt much pleasure from being in my body, I realized how I’ve pushed away pleasure for most of my life. I know I am not alone in this. Perhaps we do this when we grow up in a culture where the undercurrent of belief is infused with pleasure equating to sin.

But, it’s more than that. As I danced, I began to feel the pleasure myself, and for a moment it felt odd that there was no one else there…only me. I was enjoying my own experience of pleasure, sensual pleasure, and there was no ‘other’ in the experience. I could see something I hadn’t seen before: that giving myself pleasure, either through dance or any of the things I love to do in my life, changes the experience of who I am in others’ company. I know this sounds simple, but hang with me here for a minute.

In my life, and I am sure in your’s in your own unique way, there’s been a silent undercurrent of ‘having to BE pleasureable’, like it is a duty I must fulfill to be a pleasurable person Or, that if I am good I will give others pleasure. Could be sexual, could be in another way. But, as I felt pleasure, I realized I was pleasurable without having to BE anything. The only thing I was doing was doing what I love and truly being in my body while doing it.

 

I was simply feeling pleasure. I was taking myself into myself.

 

It reminded me of something I’d read this past week. I came across this post by Erin McKean where she writes:

You Don’t Have to Be Pretty. You don’t owe prettiness to anyone. Not to your boyfriend/spouse/partner, not to your co-workers, especially not to random men on the street. You don’t owe it to your mother, you don’t owe it to your children, you don’t owe it to civilization in general. Prettiness is not a rent you pay for occupying a space marked “female”.

I realized that we don’t owe pleasure to anyone either. Offering pleasure to another ‘is not a rent you pay for occupying a space marked “female”.’

Instead, when we participate in those things that are pleasurable, we radiate pleasure.

Sometimes it is hard for me to know what I desire, what I want, what I love. In that moment of dancing, there was no question. I was loving how it feels to be in my body, loving how it feels to dance, loving how it feels to be a sensual human being.

I included this Iris picture here because this picture brings up the same feelings of pleasure…sensual, pleasurable beauty. This photo takes my breath away. The colors. The feeling. The dreaminess. It works on me, through me, removing layers of resistance I have to knowing my own self in this way.

We are hungry for such pleasurable beauty, for such deeply sensuous tenderness and pleasure in our lives. Hungry for it. Aching for it, because the soul loves it. It is soul food.

The soul gets to feel what it is to be alive through the body, and heaven knows there are enough moments in the body when life is not pleasurable.

Why not feed the soul some really lovely, pleasurable sustenance?

Pleasure is soul food, and what I was experiencing was truly a divine connection between my conscious self and my soul. For me, this is the most important relationship in my life. And knowing this makes my quest for living a life of love all the more alluring because I know it is my soul that brought me to dance in the first place. She guided me there and she continues to guide me into what I truly love, for it is She who truly loves.

:::

bafonbadge300pxPleasure is just one of the weekly topics we explore in my 12-week program, Becoming a Force of Nature. Pleasure is an important area of exploration for those of us wishing to be more alive and more in our bodies. Pleasure is part of life, and it is a gift to offer to the soul.

If you’d like to go deeper into the way I facilitate creativity while applying what you learn in real-time to your own life or business vision, join me for this summer run of Becoming a Force of Nature. Registration is now open.

This is a powerful course. It can be a vehicle for deep transformation, as well as practical, tangible movement on a intention you are holding. We will dive deep into the creative process. We’ll experience first-hand ways to creatively meet life’s challenges.

When you live your life as a work of art, you come to realize you are the true creation.

This is the last time I will be offering the course in this format. Along with 12 teaching calls, you’ll receive 12 rich multi-media PDFs for each course weekly segment. After the course is done, you’ll be able to dive even deeper by way of these rich interactive lessons.

Take a look to see if the course is right for you. If it is, come join me for this summer journey.

 

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A mystery that both must be and can never be known.

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rose

full, fertile,
softest petals on a
strong, fierce stem.
each petal brushes against the
chambers of my heart.
each breath rides along the
petal veins.
lines blur.
petals become flesh,
veins carry life.
heart flutters,
tickled by such soft
layers of existence.
fragrance fills the chambers,
petals fall away,
leaving only scent to fill this fecund abyss.

everything courses along these veins.
fragrance infuses cells.
each inhale a becoming,
each exhale a death.

this line is fine,
so short-lived,
so numinous.
and the heart keeps beating,
the bones stand strong and sturdy,
the blood circulates,
doing the heavy, fleshy lifting
for a mystery that both
must be
and
can never be
known.

(c) julie m daley

written during a #WritingRaw circle.

:::

I’ve shared a very special four-part series on embodying soul, Of Soil and Soul: A Call to Remember,
over at Pema Rocker’s SoulGrowthRadio.com
Each part will be made available each Sunday in April. The first part is now up and ready.
I hope you enjoy it. The work is part of a larger body of work to be published later.

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In a Woman’s Body

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photo (20)

Today…

is the vernal equinox. And, today there’s a new moon and a solar eclipse. (The eclipse was visible somewhere else on the planet and I was fast asleep!)

Who knows what this all means. What I do know is that my body has been guiding me to remember what I once knew. Cycles. Rhythms. Flow.

My mind is softening into my body, into my heart. What used to seem strange now feels natural and even welcoming.

I am reweaving back into life’s tapestry of worlds, back into layers of the unseen and unknowable, into bedrock and sandstone, moon and stars, and glacial changes beyond what I can possibly comprehend.

One of my favorite Beatle’s songs was ‘Let It Be’, and the lyrics have been rumbling around inside. Just let it all be as it is – because all of my pushing against isn’t really doing anything anyway.

I see that now.

I am softening, tenderizing, choosing to no longer live a life of trying to understand. And in this softening, I notice I am happier, and at the same time getting more accomplished while being more available for others.

I guess that is life. When I let it be, life can do what it longs to do through me.

Of course.

I am learning.

::

in a woman’s body

i slide one foot in and then the other
and slowly my whole body gives way to gravity.
like a mother cat’s tongue
the water begins to clean
lifetimes of forgetfulness from my being.
my breath slows as darkness crumbles onto the blue-tiled floor.
my eyes grow soft as
years of tears and fears melt under the dark night sky.
i begin to remember how
without skin,
without flesh and bones,
i lived as light.
my cells soak in this remembering and
i soften, yet again,
into the water’s embrace.
no more rigid ways of forcing myself
to remember what i’ve always known.
no more straight-backed hours
on a cushion,
tightly-fastened rules wrapped around my flesh.
i am this soft light,
this love that knows,
this pearlescent radiance in a woman’s body.

#writingraw

(c) 2015 julie m daley

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Magic

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I see her.

Her left hand out reaching toward me, beckoning me to come with her. Her body is leaning the other way, to her left, showing me the way we will go. I haven’t seen her face for ages.

Eleven. Fifty-eight. Ages.

 

She is alive. Her eyes dance.

She wants to take me back into her innocent world; back into the world I learned to pretend doesn’t exist. But it does. She knows the way. Her body is leaning that way as if to say, “Come, come, let’s go. It’s just you and me. Nobody else is here, now, telling us to be something other than who we are. Nobody is here demanding that we turn our back on magic and step into that cold, dead world where everyone says things they don’t believe and everyone denies they long for something else.”

I left her behind. Not meaning to, really. But, I left her behind. So far behind I’d forgotten who she was. I couldn’t even really remember how it was to be with her, how she laughed or how she would get silly. I couldn’t remember how strong and lithe she was, how in her body she was.

She’s smiling at me with such innocence, such joy. I can tell she hasn’t changed a bit. It’s the smile.

I now remember the exact moment when I turned my back on her. I had to. I had no choice. It’s the only way I could make sense of the senselessness I was being shown. Everywhere I looked there were messages telling me that she had to be forgotten, pushed aside, abandoned. No one wants an eleven year-old pubescent girl to maintain her wholeness. It’s too much. Her wholeness and innocence and provocative ways signal magic.

 

I take her hand and follow.

She wants to show me butterflies. We used to go out to find them, hoping to have one land on our hand. They were free. They were soft and tender, their wings made of the same magic as her heart.

When I first saw her again, really saw her, and heard her calling to me, the tears poured like buckets. Grief. Big buckets of grief. I’ve experienced big grief in my life; grief I never thought I would ever know. But there’s something about realizing you abandoned yourself so long ago, ages ago that cuts to the bone at the center of the heart. That bone. That magic bone.

All I remember is that I was told that my needs were no longer relevant. Those were never the words used, of course. Instead, every indication was that I was here for something other than my own desires. I was here for others’ desires…especially men’s.

Instead of freedom, I began to feel emptiness. Instead of softness, I began to feel a kind of resignation. Instead of feeling me, I began to be really good at feeling everyone else – looking for what they needed, what would make them happy, how to put myself at the back. It sounds like martyr. It looks that way. But it was not. It was believing that my desires didn’t matter. It was believing that I didn’t matter. That suddenly, now, that I was growing up, that the magic in me had to go and the beauty and power of my young girl’s magical soul was not welcome in this world of men and men’s power, and this world of women who had forgotten their own magic.

Or maybe my magic was wanted too much. If I hid it, would they not look at me like they were beginning to look at me? I hid the magic just like I hid my blossoming breasts. The lacy yellow training bra earned the name ‘old yeller’ because I was too embarrassed to wash it and hang it out in the house to dry. In our house of one woman and three girls, a girl’s magic wasn’t spoken of. Menses, breasts, and blossoming desire were only talked about in cursory, logical ways.

 

No magic was mentioned.

There was no map pointing the way from young magical girl to full magical woman. There was no talking about it. There was nothing said between young magical girl and magical woman. And there were no full, magical women to guide me.

How does a girl hang onto the magic of womanhood when so many around her pretend it does not exist?

How does she hold her own hand tightly enough to not lose herself or her magic?

How does she hold her own body close to her heart as she awakens to the shame that others believe is at the heart of womanhood?

How does she not make that shame her own?

How could it be that something so holy, sacred, and brimming with the magic of life becomes something to hide, to ridicule, to dominate, to violate?

I find I have no answers, but I am paying attention to her because she knows things I have forgotten.

 

Her hand is soft and young, still in the shape it was when I turned away.

She’s timeless. Hand in hand, I begin to feel the sweetness of her breath filling my lungs and sense the wonder of her magic beating my heart. I tell her I learned a long time ago to dismiss myself, to defer to others, to hide my light, to make myself small and insignificant. As I say these words, I hear how powerless they sound, how weak I sound. I cringe, yet they are true. She just listens as she holds my hand.

I tell her I don’t know what I want, what I desire. I tell her I’ve forgotten how to desire, how to know, how to choose. I tell her I’ve forgotten how to choose for us, to know what it is I want and to focus on it. She already knows this. She’s been in the background watching me circle and circle, unable to land on the solid turf of completion. She looks at me with such lightness and love. And then she tells me that is why she’s come back – to show me the way home, the way back to magic.

It seems as though she doesn’t hear those other voices that run so often in my head, voices of skepticism, judgment, and shame. She seems to just delight in life itself, in the very real experience of being alive. She is soft and open. The thing I notice most, though, is that she trusts. She trusts herself. And she trusts life. She doesn’t seem to even be aware of this. She doesn’t need to be. Trust was never broken for her. Her connection to life is intact, full, and faithful, as is her connection to herself. She doesn’t seem to be so aware of herself, but instead very aware of everything around her, as if she is immediately affected and enraptured by the smallest butterfly flutter and the gentlest birdsong.

 

As I watch her,

I begin to feel a tiny bit of what it felt like when I knew this world. She is guiding me back home just by her presence and love. I feel great sorrow and grief for what I did, but she doesn’t. She is just happy to have me home again, with her in the magic.

She leads me to a place where lightness abounds, joy flourishes, and softness is evident everywhere. Everything is vibrantly alive. As I look around, I can see the light that infuses breath. Everything is breathing. Everything. Trees. Sky. Earth. Sun. Everything is breathing.

She looks at me with impish delight and asks,

“Do you remember? We used to live here, in this world, together. And, here we are again, together.”

 

 

::

Writing Raw is now open for the third circle, beginning on March 4th. Early-bird is in effect through February 18th.

 

 “i feel so strongly that what you have created in writing raw has this potent link of turning us – leading us – inviting each of us into our own selves. not calling it anything but ourselves, words hinting here and there of naming, but to be ourselves and have faith in that is a great great great gift that is given in that circle.” ~ Barbara Heile, woman painter writer mother
www.heileart.com

 

Read more and register here.

 

 

 

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Unbridled and Utterly Receptive. Writing from the erotic temple within.

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pleasure

 

“In touch with the erotic,
I become less willing to accept powerlessness,
or those other supplied states of being which are not native to me,
such as resignation, despair, self-effacement, depression, self-denial.”
~ Audre Lorde

 

This is how I see the erotic. This is how I feel the erotic. When I feel it within, there is a natural responsiveness to life, a raw aliveness that is unbridled and utterly receptive.

This is why I feel it is so important to reclaim this word as a word that points to fullness, wholeness, ripeness; a word that is at the heart of a creative, sensual world. Because when we are in touch with the erotic, we feel alive. And when we are in touch with the erotic, we feel a natural urge to rise up for life, to serve life.

Eros is the love that life has for life itself. We are missing this in our world. We’ve come to equate the erotic with sexuality, and then it makes us uncomfortable, and we don’t want to feel this discomfort. So we end up not feeling, and when we don’t feel we can’t feel this natural response within us to rise up to protect life. We are destroying our home and we aren’t rising up in response to this destruction.

We live in this natural world that revels in beauty, wholeness, and fullness. And, it’s a world that revels in life and in death, because there cannot be one without the other. In other words, this world we inhabit is at its core WHOLE.

For me, the erotic is this ever blossoming, ever blooming and growing, wholeness – always on the verge of coming into being and always on the verge of dying away. It’s a rising and falling, an ever-present, effervescent call to itself, not for itself, but for the cycle of life.

The erotic IS powerful, it is creativity, sexuality, vitality – it is our life force.

While some might tell you it is simply porn, they would be seeing a sliver of this wholeness. But, then, isn’t that what we see these days in our world? Everywhere I look, I see us believing in a sliver of what is really here.

When I look out onto the world, I see this amazingly fecund, fertile existence. Existence that recreates itself continuously. Existence that cycles in rhythms and flow, dances in light and dark, sings its song in more frequencies than any human could even imagine.

Our bodies are fertile beds, directly impregnated by life itself. Our seedlings grow, the embryos hatch, the babies bloom.

Everything in existence feels the urge to emerge.

What I know…

There is a deep well within every woman that is untouched by cultural conditioning, home to the erotic, home to the feminine soul. Over the past two decades, I’ve been committed to find this well within, this place where I could come to know my own reflection as a whole woman.

This could be called the well of the erotic. I call this well the temple of our erotic nature. Eros is the love that life has for life itself. And, we humans seem to be out of touch with this love. This love for life itself. We are missing the deep feeling of this, this effervescent response to care for life here on our home, earth.

Our world is thirsty for this response to care for life itself, and it is this response that moves within YOU.

We need the wild, the feral – that which swims in your blood, stirs the marrow of your bones, and beats within the chambers of your heart.

We need to feel this response for life. It is medicine. 

I don’t see it so much as a doing. I see it as a re-igniting. When this fire is relit, who knows what will happen. But it is essential to light the flame again.

 

A few months ago…

writingrawpin01I heard the words, “Writing Raw” and I saw an image of women gathering from all around the world to write together, to write from this sacred well within.

There are two aspects to the reclamation of wholeness:

journeying into the unknown of the internal world with open arms and a willingness to not abandon what you find, and gathering in circle to share the words and stories sourced from this well.

 

Registration is now open…

Writing Raw is here, and I am very excited to share it with you.

We will come together for six weeks to explore together. You don’t have to be a writer. And, you might be a writer. We are using writing as a vehicle to move what is inside this erotic temple out into the world. It might simply be to your journal. It might be to share with each other in the circle. And, it might be to share with the world at large.

In Writing Raw, my job is to act as guide into this realm within, the realm of power that is good medicine.

I would love to have you join me for these six weeks. Please take a look to see if it resonates with you. If you feel the erotic urge, the pull to become the vessel for the expression of your soul into the world, come join me!

Update:
Over the next two weeks until we begin, I’ll be sharing different aspects of the circle – various thresholds we will go through to bring forth the words that want to be written. I know it will be engaging and enlightening.

 

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Extensions of the Heart, Instruments of the Soul

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Screen Shot 2014-07-20 at 6.34.41 AM

 

His hands are well muscled, his fingers nimble and exquisitely sensitive to the clay in motion.

As I watch, I can feel my own fingers following the nuances of his touch, as if they, too, can sense the impulse that feeds that touch. The music settles into me, its rhythm opening me deeper into the experience of watching this man do what he does with such precision, and seemingly such love.

I wonder how many turns of the wheel his hands have guided. I see how they ripple with the clay. I feel his muscle memory in mine, and I remember moments when my hands touched with such love.

It wasn’t clay, it was flesh – a close kissing cousin to clay.

My hands touched and guided flesh in this same way. Flesh that loved to be touched, and flesh that I loved touching.

Maybe that’s why he is so digitally articulate. Maybe his fingers dance along the ridge between clay and air, because he’s touched flesh, too, just as my fingers have danced along the edge between invitation and invasion.

He knows this clay, intimately. You can see this. I wonder how well he knows flesh. I wonder if a potter’s hands become so intuitive in their touch that they know flesh and bone and blood as elements to be turned and guided and nudged, just as lovingly, just as exquisitely.

Touch is prayer in motion, and as I watch the graceful mark his muse makes upon this world, causing the rim and curve and edge to emerge, I know grace moves through hands in extraordinary ways. Images of past clients flash in front of my inner eyes, those who knew beyond any doubt that life wanted to create through their hands. They knew this as well as they knew their own names. Their hands spoke to them, much as I sense his hands speak to the clay, telling them it was time for them to make their mark in this world.

My hands are speaking in much the same way. They want more than to just tap. They want to touch the flesh of life. They want to make things – real, physical, beautiful things.

Hands want to make. They want to mold and shape and knead. They want to know how it feels as the muse anoints them as vessels, carries them over to bliss, making love to them in service to creation.

I’ve sometimes been struck by the sight of my own hands, held out in front before my own eyes, suddenly and seemingly to be hands that could belong to anyone but me. Those moments when I was nobody, and no body, in particular, but simply life peering out of my eyes, I watched my own hands touch, fingers dancing along the ridges of whatever it was they were conversing with. In those moments, I’ve witnessed the inherent wisdom in the cells of hands and palms and fingertips. I’ve seen and felt and known how hands offer the direct expression of Soul into this material world. And, heart lines move out to and through hands and fingertips, offering love in a way the heart cannot.

Each piece meticulously loved. Each expression uniquely molded. Each creation mindfully shaped by something we can’t see nor hear nor touch, but something we feel echo through our cells.

After watching hands create, is there any doubt at all in the way love persistently and powerfully demands to be expressed?

::

The muse moved through these hands to tap, tap, tap, after watching the extraordinary video (below) of exquisite artistry. I couldn’t stop the flow of words and images that came in response to being moved so deeply by the beauty in this video.

In writing this piece, I am playing with a new kind of writing experience and process, one I will share with you soon as a creative writing course offering. I will be sharing it in my newsletter…

Please enjoy this incredibly beautiful video… And, please share with me in the comments how it moves you.

 

image above is by the videographers…
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The world will heal when women’s hips speak freely again.

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The music pulses and my hip responds.
It’s my right hip.
She’s clearly talking.
She’s got something to say.
She’s been silent for eons, but now she’s awake.

Hips can be like that.
Especially women’s hips.
They can hold onto words not said, impulses not acted upon, and instincts not honored.
Until, one day, they wake up.

The music is all drums and she begins to thrust.
Just drums.
Just beat.
The drums speak her language and she’s deep in conversation.

Hips and pelvis are sacred territory.
All around the sacrum, deep in the pelvic bowl, lies the glorious instinctive feminine.
She sways and thrusts, drawing divine infinity marks with rhythmic precision.

Her mother tongue is ancient.
No words, just movement.

She’s asserting herself.
She’s uncoiling eons of serpent-like wisdom and sensuality.

She guides me to the wall and makes it clear I must dance against it.
Palms pressed hard against the wood slats, I can feel her power undulating and spiraling out.
It’s as if my entire body wants to experience this power in its cells – all the way out the arms to the tips of my fingers, out my legs to where my toes meet the ground.

She talks and talks and talks.
After centuries of silence, she has much to say.
She’s not going back.
She’s awake now.
She knows her medicine is good medicine.

She knows the world will heal when women’s hips speak freely again.

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